Tag Archives: Art

Been to Bishop Auckland Lately?

A blog from our favourite roving reporter, David Smith…

I was last there nine years ago for my son’s wedding to Claire, a lovely young woman from Teesside. The wedding was at Auckland Castle – not a real castle, but a historic house, home to the bishops of Durham for 900 years. Now stay with me….Auckland Castle - chapel

The wedding was in St. Peter’s Chapel, the largest private chapel in Europe. There is something special about the soaring voices of a church choir swirling around the pillars to the walls and then upwards to the decorated high roof. We had a wonderful day.

The great treat and surprise was having drinks in the Long Dining Room.   Surrounded by 13 8ft. paintings of Jacob and his 12 sons in Spanish peasant costume, by the 17th. century Spanish artist Francisco de Zubáran, we could only stand and stare. In fact there were only 12. The thirteenth is a copy; they have never been able to bring back the prodigal original to Bishop Auckland.

paintingsThe Church Commissioners planned to sell the works (£20m I believe) . Simon Jenkins, former Chairman of the National Trust, discovered the intention and created a storm of support for them to stay in the Northeast. The paintings continue to be important because their purchase and display was a deliberate act to demonstrate religious tolerance, especially towards Jewish people living in England, in the 18th century. They continue to be a public appeal for social, political and religious consideration, as relevant today as they were when purchased in 1756.

Well there is even better news now.   Jonathan Ruffer an investment hedge fund manager based in London, but who now lives in Bishop Auckland, not far from his birthplace, has dedicated his personal fortune to the Castle and its collection. He has bought both the Castle and the paintings! His investment has now been boosted by £9millon grant from the Heritage Lottery Fund to develop a £65 million project.

The intention is to create a new national exhibition space in the Castle to open fully by 2018 for art which explores faith. The first contemporary installation: a video installation by Bill Viola can be seen now. It is a really challenging piece in such a traditional setting. The Church of England is not as stuffy as you may think in presenting contemporary art. (Chichester Cathedral houses works by Marc Chagal, John Piper, Graham Sutherland. And today there is Anna Freeman Bentley’s installation: Descent of Jacob’s Ladder which brings us back to Jacob, the Zubárans and Auckland Castle). So if you are up in the Northeast this summer it’s worth a call.

Bill Viola, Martyrs (Earth, Air, Fire, Water), 2014

Bill Viola, Martyrs (Earth, Air, Fire, Water), 2014

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David On Tour: Part Three – Jerwood

Editor: The continuing adventures of David Smith during his week in Brighton…

 

‘Cultural tourism’ is on everyone’s lips in the south-east: ‘Turner Contemporary’ in Margate, ‘The Towner’ in Eastbourne, ‘De La Warr Pavilion’ in Bexhill and ‘Jerwood’ in Hastings.  The role of the arts in social and economic regeneration continues to have credence. Well, it was ‘The Jerwood’ for me. My first time in Hastings.

£8 to get in seemed a touch on the expensive side especially when one of my party only wanted clean toilets whilst the other some lunch.  So we started with lunch – fresh crab salad and sandwiches left everyone in good mood especially as I had paid for everything so far.  How refreshing too to visit a gallery with huge panoramic windows letting in the outside.  Two huge pieces by Quentin Blake of artists on the beach drawn especially for Jerwood held the attention of all the diners.

Quentin Blake

In the gallery Quentin Blake, who lives just round the corner, had been asked to respond to 10 pictures he has chosen from the collection. More than that, he concentrates on each of the artists showing them at work on the beach by Jerwood in a way that you makes you smile as you explore them – Stanley Spencer with his pram!  Alongside each drawing he has included a piece of text he has written for each piece. I only knew of Stanley Spencer; so it was a fascinating introduction to a number of artists whose work I didn’t know: from Edward Burra to Prunella Clough.  It was also a way into seeing the part of the Jerwood collection on display which focuses on modern British art.

As a Salford boy, it was great to stumble on Lowry’s, Canal Bridge, which I hadn’t seen before.

Coming back to ‘Cultural Tourism’ and regeneration: it’s great to think that Mid Pennine Arts has been making its own significant contribution in our region since 2003 with Panopticons, Land and now the LANDMARKS programme in the Forest of Bowland.  They are all worth visiting or revisiting.

Todmorden Artist’s Tour 2014

For the 10th year Mid Pennine Arts, funded by Todmorden Town Council, has commissioned an artist to provide a theme based workshop to all seven primary schools in Todmorden.  This year the art form was visual art and the theme was Environment.   Mid Pennine Arts and all the schools involved are very grateful to Todmorden Town Council for their financial support in making these wonderful workshops happen.

Tod 2014 - collage 1

What follows are extracts from the project evaluation:

Before his retired in October 2013, MPA’s David Smith discussed the theme of the 2014 tour with Maria Cooper, head teacher at St Joseph’s RC Primary.  Maria emphasised how involved all the schools are with environmental issues, as is Todmorden as a whole.   The theme of environment would allow the artist some scope to adapt the theme for each school based on the particular topics they were addressing. As always with the artist tour the primary aims are that the workshops are enjoyed by the schools and that they will make an effective contribution to the children’s learning.

Once the theme was approved by the Town Council, MPA knew just which artist to work with. Cath Ford is a very experienced and versatile community artist who has worked with MPA on several projects and has the issue of environment at the core of her own practice.

Cath planned three activities from which each school could choose their preferred option. She would spend a day at each of the seven schools and run a two-hour workshop in the morning and afternoon. The school could choose whether to have two separate groups or one group doing both sessions. Each workshop focussed on work at Key Stage 2 which allowed the schools the choice of involving children from Year 3, 4, 5 or 6.

The overwhelmingly popular choice of activity was Eco Totem in a Day with six of the seven schools choosing it. Ferney Lee was the exception, choosing instead Scrap Sculpture and Assemblage/Trash to Treasure.

Eco Totem: Along the north-western coast of North America (America and Canada), some Native Americans create totem poles. Depicting people and animals, totems are used for different reasons in different tribes, but often tell stories, family histories or are used for protection. Totems can be used to make a statement, to tell the story of a family or group (the word originates from a word meaning ‘his kinship’) and to communicate an idea.

In this workshop pupils explored the idea of totems and how they are used to tell stories and make community statements. The class worked on faces, animals and symbols which make a powerful statement about their attitudes to the environment and to creating a more environmentally friendly world. The resulting 6 foot plus totem was then displayed in school.

Scrap Sculpture and Assemblage/Trash to Treasure: Artists throughout history have used found objects and other people’s trash to create unique and expressive art works. Artists often look differently at the world, seeing beauty in places, people and objects discarded by society. Trained artists and outsider artists create magic worlds from rubbish that enrich our world and ask questions about what is trash and what is treasure.

In this workshop pupils created temporary sculptures from scrap materials, experimenting with design and form during a series of group challenges before looking at the work of artists who create assemblage sculpture from scrap objects. Using the learning from the first challenges and looking at artists’ work, each pupil created their own piece of assemblage in the form of a face/human.

Tod 2014 - collage 2

Outcomes: Cath encouraged the children to consider their own response to environmental issues throughout the workshops, discussing how their choices impacted on the environment and pollution through, for example, recycling. All the materials were sourced from a specialist scrap store, so that the children could see how items could be reused and not discarded.  The children had to work in small groups and cooperate to create the final pieces, enhancing their team building and communication skills.

Facts and Figures

Schools:

  • Castle Hill Primary
  • Cornholme Primary
  • Ferny Lee Primary
  • Shade Primary
  • St Joseph’s RC Primary
  • Todmorden Junior School
  • Walsden St Peter

Participants:

  • Classes = 9
  • Girls = 114
  • Boys = 123
  • Total = 237

Teacher Feedback:

  • It was a very rewarding experience for the children. They learnt a lot, reinforced learning from other areas of the curriculum and produced a beautiful piece of art communally at the end. It also necessitated working cooperatively, solving problems and discussing solutions together.
  • It was interesting to observe how to use other areas of the curriculum to inspire and create such a good piece of art that the children can be proud of.
  • It was an excellent day, full of creativity, team work and ideas. I would highly recommend it.
  • A fabulous job […] well timed and organised, the children had plenty of time to think and work, good balance.
  • I liked the use of all the different materials and how all the parts came together to create a larger object.
  • The children learnt about the benefits of recycling and how it can change the environment for the better.
  • The children had to work together in small groups and cooperate to make the final product. So team work, listening and taking turns was a vital part of the project.
  • Very good at raising awareness of environmental issues – ideas of being green.
  • Children enjoyed group work and working as a team.
  • Artist very knowledgeable and interacted with children.
  • Good to see a day long workshop and how something can be taught and created in a day – good for teaching isolated topics.
  • Artist was really child friendly and approachable.
  • Very impressed with final product.
  • Children really enjoyed the workshop.

Tod 2014 - collage 3

Pupil Feedback:

  • It felt like it meant something.
  • It felt good to work as a team.
  • It was really fun and creative and tells a good story.
  • A super workshops and I would like to do it again.
  • I liked how we used rubbish which was going to [be] thrown and we made something good out of it.
  • Nice to share all our ideas with the group.
  • I really liked how we had to think about which material would look the best.
  • I thought it was a really creative idea.
  • I like having the choice to make what I wanted.
  • Was pleased to be part of the team.
  • Really enjoyed working with the different materials […] enjoyed the free choice.
  • I thought it was creative of Cath to get some junk and make a totem pole with [it].

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Family History Exploration: Computers and Creativity!

Starting in summer 2013 and funded by the Heritage Lottery Fund, we’ve been helping the local community explore Gawthorpe Hall, through oral history, photography and the creative arts, in a project called Portraits of the Past.   We wanted to capture what the Hall means to the community that surrounds it. Focussing on the heritage of this magnificent 17th century house in Padiham, Lancashire, we looked to encourage local people to engage with its magnificent collections and learn about the fascinating stories of the people who would have lived, worked and used the Hall and its grounds.

To achieve this we’ve organised a series of events and activities and the most recent was on the 4th April, when a group of people interested in exploring their family history joined us for a day. It started with exploring Gawthorpe Hall and the history of the Shuttleworths and then they researched their own ancestry and finally explored the mysteries of creativity!

We started the day at Gawthorpe Hall where Rachael Pollitt de Duran, the Museum Manager, gave us a guided tour along with lots of information about the family that had lived there, the Kay-Shuttleworths.

Some members of the group had not been inside Gawthorpe Hall before and found the building and its history fascinating. In the Long Gallery it was hard work for everyone to obey the instruction not to touch the amazing wallpaper, thank goodness there’s a small sample to touch!

Ughtred James Kay-Shuttleworth - Caricature in Vanity Fair 1904

Ughtred James Kay-Shuttleworth – Caricature in Vanity Fair 1904

Once the tour was completed we headed down to the kitchen where the Lancashire County Council Community Heritage Team gave a presentation on how to begin tracing your own ancestors, using the Shuttleworth family as an example. Lots more was discovered about the family during the presentation, not least some of the more interesting first names. The group was particularly taken with Ughtred!

The team guided the group through the various online sources available for research as well as providing useful tips for getting the most out of searches. Everyone was very pleased to learn that the websites Ancestry and Find My Past are available to use for free through Lancashire Libraries, where you can book up to two hours computer time a day. You can find out more about the online resources available from the county here. As Fiona from the team said, “they’ve paid so you don’t have to”.

IMG_0797

Next everyone headed over to Padiham Town Hall, which also contains Padiham Library. We stopped for lunch, although in fact, the discussions about Gawthorpe Hall and family history continued throughout. After everyone was refreshed the group split into two.

Group One worked with the Community Heritage Team in the library’s computer suite getting to grips with researching via online resources. Group Two worked with artist Cath Ford to discover creative ways to display their family trees, photographs and mementos. Although many of the group were not experienced computer users, the thought of doing ‘art’ seemed much more frightening that using the computers! That didn’t last long though. Cath is very experienced at working with people who think they can’t be creative. It didn’t take her long to get them all experimenting with frames, craft paper, old magazines and other materials to create backdrops for some of the family history artifacts they had collected. Marriage certificates, discharge papers, medals, stamps, maps, adverts and of course photographs were added to flat and box frames to create very thoughtful and personal pieces of art. With the added bonus of being able to put on display some of these wonderful mementos. Nobody finished completely, mainly because they were leaving space for items they had at home, but they left with their frames and a bucket load of materials and ideas.

Halfway through the afternoon Group One and Two swapped over and the feedback was that each had enjoyed both activities. Cath and the Community Heritage Team made a good number of creative and computer converts!

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The final event of the Portraits of the Past project will take place at Gawthorpe Hall on April 26th between 1-4pm. Find out more on our website, but to whet your appetite…

Take a walk through the grounds with storyteller Steve Fairclough; discover the joys of letterpress printing with Print for Love of Wood; explore the strange delights of The Palace of Curiosities and meet Betsy the Victorian scullery maid!

In Praise of Julie

David Smith reflects on MPA’s relationship with the lovely Julie Hesmondhalgh.

Julie…Julie Hes…Julie Hesmondhalgh….Hayley Cropper…we all loved Hayley and now she’s gone….

I met Julie in the mid eighties.  I was dropping my son Craig off and picking him up each day at a three-week long summer drama course at Moorhead High School in Accrington.  Julie was a part of a friendship group of very talented girls who after A-Level Theatre Studies at Accrington and Rossendale College all went off to drama school in London together.

Julie-Hesmondhalgh-2292864

Julie kept in touch with Craig whilst they were both in London and recommended him for a job acting and writing for theatre with the West Yorkshire based Company Impact.  At that time Craig tipped us off to go to see Julie at the Royal Exchange in Much Ado About Nothing where she was performing alongside her great friend Joseph Alessi son of an Accrington tailor..  She had two small roles: a maid and a soldier night watchman.  It was here that she was spotted by a casting director from Coronation Street and you know what happened from there…

Hayley-Cropper-Coronation-Street-2292866

In 2001 Mid Pennine Arts was working on a major environmental arts community engagement programme called Land.  It was supporting the iconic Panopticons project.  A part of the programme was a project called Trees for Babies.  In partnership with Trees for Burnley we created a new woodland at Rowley Country Park recruiting young families from the Edith Watson Maternity Unit in Burnley.  Julie and her partner Ian Kershaw had a young daughter, Martha Mo.  When asked if she would come to a celebratory event to meet the families involved and present them with a special memento of their involvement not only did she agree without hesitation, and refuse to accept a fee, but she brought two month old Martha Mo with her!  It was an evening to remember. The clue to Julie’s feeling for people was the way she engaged with the young children who came along, making time to speak to each one as they came up with their family to receive a hand-made book:  Trees for Babies…and of course we planted a tree in the new woodland for Martha Mo.

Did you know that Julie asked her fellow cast members not to buy her a present on leaving ‘the Street’?  She asked them to make a donation instead to a charity in Accrington: possibly ‘Maundy Relief’ for which she is a patron.

….and back to the drama course at Moorhead High School in the mid eighties…who set up and managed the project?  Mid Pennine Arts, of course! Have you heard the theory about the importance of the eco structure that exists in the arts, supporting and developing early signs of talent…?  Mid Pennine’s role here is a small example of how it works.  That course was important for me too.  I was so impressed by the school that I went on to work there as Deputy Head for 13 years and then came to Mid Pennine Arts having seen at first hand what it can create and deliver for the communities it serves.

…and what of Julie?  Go to see her at the Royal Exchange in February in Simon Stephen’s new play Blindsided.  Then you might return to see her astonishing performance in Black Roses: the killing of Sophie Lancaster.  Julie is a terrific actress who has never forgotten her roots in Pennine Lancashire .

Yes, we all love Julie…

Portraits of the Past

Starting in the summer this project, funded by the Heritage Lottery Fund, has been exploring Gawthorpe Hall through oral history, photography and the creative arts, in a project we’re calling Portraits of the Past.

Gawthorpe Hall is much loved by the Padiham and Burnley community who surround it.  The historic property also currently hosts Catherine Bertola’s contribution to our Contemporary Heritage series, entitled Flicker.  We asked for people to share their photographs of Gawthorpe to develop an online archive, and to let us record their memories of time spent there to create oral histories that will be stored at the North West Sound Archive.  The project is ongoing with schools’ work starting later in the autumn but we had some fabulous days in August and September that we’d like to tell you about.

In August we had two days of family friendly activities on the lawn outside the Gawthorpe Hall entrance.  On both occasions we were joined by David and Andrew from the sound archive who eagerly recorded visitors to the event.  We were also pleased to have members of Padiham & District Photographic Society with us, who introduced visitors to their work as well as some fantastic antique cameras kindly loaned by the Museum of Science and Industry in Manchester.     PoP day - 21.8.13 5

To encourage the budding photographers of tomorrow (and their parents), on the 21st artist Cath Ford ran a workshop making miniature cameras out of scrap materials which went down a storm.  All afternoon you could see children wandering around the grounds proudly wearing or pretending to take Image by C Ford - participant in activity day - 21.8.13 - 2pictures with their matchbox creations.  There were also photo scavenger hunts for those with a working camera or camera phone!

On the 28th artist Caroline Eccles held a mask making workshop as well as providing a huge dressing up box which young and not so young couldn’t resist, the fake moustaches were particularly popular!  Once the masks and costumes were on everyone had a lot of fun posing for pictures in front of the hall.  Joss joined us for the day as a volunteer and took some wonderful pictures of the action.

Image by C Eccles - participant in activity day - 28.8.13 IMG_0518

In September we had a wonderful day at Padiham Library and Gawthorpe Hall concentrating on collecting oral histories.  Once again David and Andrew from NW Sound Archive joined us and were kept busy recording memories, new and old, of times spent at the Hall.  In the morning Alison and Carole Alison and Carole - Padiham Libraryat the library organised a coffee morning and were so welcoming to us and all those who visited, we lost count of how many brews they made!  They had been very busy persuading library users to visit on the day and tell us their stories.  Most people were rather bashful at the idea; we heard many times that, ‘you won’t be interested in me’.  But they were wrong and once Melanie and Dom had enticed them with cakes and a brew they all relaxed enough to make a recording.  We were also made very welcome Bob - Padiham Libraryby Ann and Bob at the Padiham Archive which, along with the library, is part of the town hall.  They are custodians of a huge number of artefacts ranging from the everyday to items of important historical significance.  If you’re interested in the history of Padiham you should pay them a visit, there isn’t anything about the town that they don’t know!

In the afternoon David Smith joined Dom, Andrew and David at Gawthorpe Hall for the Heritage Open Day.  It was an extremely busy afternoon at Gawthorpe and Rachel and her team very kindly set us up in the Dining Hall where we were perfectly placed to draw in visitors who had tales to share.  Of the stories we’ve recorded so far some cover every day uses of the hall and grounds as a place to walk the dog or picnic with the family, others recall working there when it was a family home and others of childhood encounters with Lady Shuttleworth.  They are all fascinating and equally worthy of a place in the Portraits of the Past oral history collection.

Thank you to everyone who has participated so far.  You can add your own photographs to the online archive here or get in touch with us if you need help doing that.  If you have any memories of Gawthorpe Hall you want preserved get in touch with us and we’ll send the boys from NW Sound Archive round!

There’s a lot more to come as artists work with schools this autumn term, so look out for further blogs.  In the meanwhile huge thanks to the North West Sound Archive, Gawthorpe Hall, Padiham Library, Padiham & District Photographic Society, Padiham Archives, MOSI and of course our funders, the Heritage Lottery Fund.

Image by C Ford - participant in activity day - 21.8.13

Opportunities for accomplished project managers at Mid Pennine Arts

Mid Pennine Arts is recruiting.   We need additional support to help us maintain and extend our busy portfolio of creative learning and community engagement projects.  We are therefore seeking one or more experienced, versatile project managers, initially on short term agreements, but with the opportunity to develop longer term relationships.  If you have a strong track record of developing and delivering high quality, project-based work, and would like to contribute to the work of our team, we would love to hear from you.

About Us

MPA is the commissioning agency based in Pennine Lancashire and developing projects across Lancashire and beyond.  We commission high quality creative work through a variety of collaborations and in response to the distinctive contexts of our natural, built and social environments.  Our projects interrogate and celebrate what is unique about our area, our heritage and our communities.  We aim to originate exciting creative work that has lasting impact for participants, audiences and our project partners.  MPA brings art, people and places together to transform perceptions and change lives.

MPA was established in 1966 and has a long and proud track record of working in our communities.  Our work is centred on contemporary visual arts but uses a broad creative palette.  MPA has developed specialisms in commissioning work in landscape and public spaces and in heritage settings.  Our portfolio of recent work has included the Panopticons contemporary landmarks and the Contemporary Heritage series of major new commissions in heritage locations.  All of our projects include dimensions of engagement and learning for young people and adults.

Over many years we have built up a reputation for high quality work especially with schools and young people.  MPA works with some 60 schools each year.  In 2013 our creative learning team have made advisory visits to 90 schools, working in partnership with the ACE Bridge Organisation, Curious Minds, as cultural advocates for Lancashire.

Key partners for MPA projects have recently included local authorities, Lancashire Museums, environmental agencies and our fellow arts organisations.  We believe strongly in collaboration and all of our work is developed through a variety of partnerships.

MPA attracts funding from a variety of sources, including Arts Council England, Lancashire County Council and lottery distributors.  With less revenue funding now available, we generate funds project by project, from multiple sources, to help sustain our organisation.  All our team contribute to this effort, which is vital to our future.

Our Team

MPA maintains a multidisciplinary team to originate, curate and project manage our busy programme.  In autumn 2013 a number of circumstances will be reducing this team, but MPA’s programme will be busier than ever.  So we are seeking additional support.

We have a number of projects already in progress and further exciting projects in development.  So we want to reinforce our team as soon as we can.  We are therefore seeking experienced, versatile individuals who might be available at relatively short notice to contribute to our team over the next few months.

Our Programme

Projects already confirmed include these:

  • Portraits of the Past – an extended engagement programme built around our Contemporary Heritage commission at Gawthorpe Hall and celebrating the place of this Jacobean gem in the life of the local community.
  • Youth Music – Two new projects resourced by this lottery fund and engaging groups of young people and early years children.
  • Creative Communities – A programme of structured volunteering for young adults, funded by Awards for All, providing opportunities to work with us on a variety of exciting projects.
  • Burnley Rivers – Partnership work with the Urban Rivers Enhancement Scheme to celebrate the Brun and the Calder.

In addition a number of projects in development are likely to add to our workload in the near future:

  • Contemporary HeritageMajor new commissions for 2014 and beyond, and engagement programmes to support them.
  • Spodden Valley Revealed – Creatively interpreting the ancient and modern heritage of the area around Whitworth.
  • The Three Towers – A strategic partnership programme to celebrate the heritage and realise the destination potential of the West Pennine Moors.
  • Super Wet Way – Participation in a major new partnership programme themed around the Leeds & Liverpool Canal, with Canal & River Trust, our fellow arts organisations and others.
  • Truce – An engagement programme for Accrington throughout 2014, marking the centenary of the outbreak of the First World War.

We will also be continuing to originate projects and develop partnerships.

The Opportunity

We would like to identify probably two individuals to join our team on a part-time, short term, contract basis.  Initially we are able to offer a term of around three months, but we are looking to identify contributors with whom we can establish a relationship for the longer term.  In the future, we anticipate maintaining a more flexible workforce that can adapt swiftly to changing circumstance, so we are keen to build a group of regular associates.

Terms are flexible according to experience, but as a guide we envisage basing the remuneration on a full time salary of £20,000 to £23,000 (pro rata) for a commitment of around 2.5 to 3 days per week over three months.  This is open to negotiation for the self-employed and for exceptional candidates.  Proven capacity to help generate further income may be an influential factor.

Person Specification

The individuals we seek will be able to evidence certain core skills:

  • Substantial experience of managing complex or extended projects.
  • Experience of working with a wide variety of people.
  • Accustomed to building partnerships and working collaboratively.
  • Excellent written communication skills, and ability to produce convincing funding proposals and project reports.
  • Highly organised, capable of multi-tasking and prioritising a busy workload.
  • A self-starter able to identify opportunities and realise them.
  • A team player who will enjoy working collaboratively within the MPA team.
  • An understanding of our geographical area (social-economic context) or of comparable communities.

In addition, you should have one or more specialism(s) that will be particularly relevant to our programme of work:

  • Creative learning work, with an understanding of the National Curriculum and experience of key programmes like Arts Awards and Artsmark.
  • Contemporary visual arts, with experience of curating work outside of the gallery setting.
  • Experience of work in landscape, the natural environment and rural contexts.
  • Community engagement, with a range of resources for effectively involving groups and individuals in creative projects.
  • A focus on heritage and the rich fund of creative possibilities that it offers.
  • Issues around sense of place, destination and local identity.

How to Apply

If this sounds like you, we would love to hear from you.

Please apply, using our standard job application form (downloadable from our website) to highlight your most relevant experience and your reasons for wanting to work with MPA.  You should attach an up to date CV, and a covering letter if you wish.  Please submit by email only to:

melanie@midpenninearts.org.uk

Please submit your application by Friday 30 August.  There is no formal timetable for recruitment, but we aim to act without delay.  We will acknowledge all applicants.  If you are shortlisted, we will invite you for interview as soon as can be arranged.

To find out more about us and our projects look at our website, Facebook page and Vimeo channel.  If you have any questions about our work or this opportunity, please contact Melanie Diggle, MPA Finance & Admin Director, as above, or on 01282 421986.